Foster & Lloyd photo courtesy of Ellis Creative.

Twenty-one years after going their separate ways, Radney Foster and Bill Lloyd are reuniting for their fourth studio album, It’s Already Tomorrow. The 13-song collection, all co-written by Foster and Lloyd, finds the duo fully entrenched in their element, amidst country rock grooves and sharp lyrics with a focus on intricate vocal harmonies.

Though the duo hasn’t released a new album since 1990’s Version of the Truth, Radney and Bill continued to meet through the years, keeping their writing partnership very much alive. They reunited onstage for a recent Americana Music Association fundraiser and found that the magic was most definitely still there. Songwriting sessions became more frequent and eventually the decision was made to go back into the studio. Continue Reading

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Darius Rucker (center front row) and his fellow co-writers (including Radney Foster, right front row) at the 2010 CRS ASCAP-sponsored event, "Storytellers With Darius Rucker," on February 24 in Nashville, Tenn. Photo by Bev Moser, courtesy of AristoMedia.

It takes a certain amount of guts — and a lot of self-confidence — to work as an artist, continually pushing against the odds until maybe, just maybe, you get a chance to break through. And a story about his pre-stardom days suggests that Darius Rucker always had the attitude it takes.

When he first heard Foster & Lloyd’s “Crazy Over You” on an AM radio in 1987, Darius was hooked on country music, and the following year, he went to see the duo at a South Carolina club after he finished his shift at a retail store. They’d already started their set, and Darius proceeded to down a few brews. He soon began shouting repeatedly for them to play “You Can Come Cryin’ To Me.” They didn’t. Instead, Radney Foster and Bill Lloyd closed out their regular set, then came back for an encore, only to hear Darius screaming for the song again. Radney politely told him he had missed it when they sang it near the start of their show, but Darius belligerently called his attention to the racial makeup of the audience.

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Darius Rucker wins New Artist of the Year at "The 43rd Annual CMA Awards," on Wednesday, Nov. 11, 2009, live from the Sommet Center in Nashville on the ABC Television Network. Photographer: Donn Jones / CMA.

A certain amount of irony accompanied Darius Rucker’s victory as New Artist of the Year at Wednesday’s 43rd annual CMA Awards. He is, under the Country Music Association’s voting rules, a new artist to the genre, though he’s hardly new to the music business. He experienced the big time before as the lead singer for Hootie + The Blowfish.

Still, he’s done such a good job of reinventing himself that he’s now begun to encounter fans who know nothing of his history. That became clear when he played a concert in Houston. Two women stood throughout the show singing all of his songs verbatim, but when Darius launched into “Let Her Cry,” from the 16-times-platinum Cracked Rear View, they sat down.

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