GAC Album Review: The Music Inside: A Collaboration Dedicated to Waylon Jennings, Volume II
The second in a series of three tributes to the outlaw country legend, The Music Inside: A Collaboration Dedicated to Waylon Jennings, Volume II brings together a diverse, all-star cast to honor one of music’s great icons. Spearheaded by Waylon’s widow Jessi Colter, son Shooter Jennings and guitarist Reggie Young, The Music Inside is a hard country, rough-around-the-edges collection celebrating the freedom of Waylon’s music.
It’s like Montgomery Gentry’s Eddie Montgomery sings toward the end of the duo’s spirited cover of the classic “Good ‘Ol Boys (Dukes of Hazzard Theme Song).” Just havin’ fun, mama, he muses over a thick rhythm section, honky tonk piano and pedal steel. On this song, and really everywhere on the record, that fun-loving sentiment is easily heard.
Be it Dierks Bentley, Hank Jr. or Justin Moore, the performances here are ignited by a love for Waylon’s enduring legacy and free spirit. Dierks opens the record with a swampy, thumping version of “Lonesome, Onry and Mean,” calling out the anthem with a smoldering intensity as the band’s obvious joy is heard through their own instrumental voices filling out the rest of the track. Hank Jr. couldn’t be more in his element than on the chuggin’ “Waymore’s Blues,” letting loose with the lines, Well, I woke up this mornin’ it was drizzlin’ rain / around the curb came a passenger train, over the song’s infectious shake. And Texan Pat Green, whose raspy voice gives the beautiful “Rainy Day Woman” a rugged edge, deftly navigates multiple tempo shifts before an around-the-horn solo handoff from pedal steel to fiddle and later electric guitar.
The majority of The Music Inside is uptempo, bordering on anthem. However, artists like country/hip-hop-infused Colt Ford and folk-inspired Jewel offer their takes on Waylon classics that serve to slow things down just a bit. On “Only Daddy That Will Walk The Line,” Colt dials down the original tempo, rhythmically speaking the verses before a searing slide guitar solo. Jewel, the only other woman on the album besides Jessi Colter, adds a bittersweet touch to Continue Reading












