Keith Urban photo courtesy of Capitol Nashville.

The building that houses country music’s family treasures just got a big infusion of cash.

Keith Urban and Vince Gill played hosts Tuesday night at All For The Hall, a multi-artist concert at Nashville’s Bridgestone Arena that raised hundreds of thousands of dollars for the Country Music Hall of Fame. The arena and the hall share an intersection in Music City, and the artists who paraded across the Bridgestone stage shared a love for the district’s best-known genre.

Billy Currington threw judicious moments of vocal ferocity into his version of Kenny Rogers’ “Sweet Music Man,” Martina McBride emulated Reba McEntire well with a few well-placed trills at the close of “Is There Life Out There,” and Dolly Parton resurrected George Jones’ funereal “He Stopped Loving Her Today.”

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Little Jimmy Dickens and Brad Paisley at the Grand Ole Opry House on Tuesday, September 28, 2010. © 2010 Grand Ole Opry® Hollo Photographics

Five months after a flood left the hallowed stage of Nashville’s Grand Ole Opry House submerged under 46 inches of water, the venue reoped Tuesday as the Opry held a three-hour event — two hours airing as a GAC special, Country Comes Home: An Opry Live Celebration.

The flood’s assault on the Opry House has been the biggest story in country music this year, so it’s only appropriate that the evening was heavy on music from 2010: Jason Aldean’s “My Kinda Party,” Blake Shelton’s “All About Tonight,” Brad Paisley’s “Anything Like Me” and Keith Urban’s “I’m In,” among them.

But the night also included performances that offered a smattering of country music history — of which, the Opry has been central. Dierks Bentley and Del McCoury injected bluegrass into the proceedings with a cover of Bill Monroe’s “Roll On, Buddy, Roll On.” Martina McBride and Connie Smith traded lines in the 1964 classic “Once A Day.” Charlie Daniels teamed with Montgomery Gentry on a sizzling version of “The Devil Went Down To Georgia.” And Josh Turner and Lorrie Morgan turned in a stunning version of the George Jones & Tammy Wynette hit “Golden Ring.” (Lorrie, incidentally, wore a leopard-patterned dress — not something in red…)

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Hank Williams: The Complete Mother’s Best Recordings….Plus!, in stores Setpember 28, 2010.

Are you a Hank Williams fan? If you are and you think you have all of the country legend’s recordings, think again. But a new box set — with possibly the coolest design we’ve ever seen — can fill in the blanks of your Hank collection. 

The 1951 WSM/Mothers Best recordings of Hank Williams, one of the major musical pioneers of American music, will be available September 28.  Hank Williams: The Complete Mother’s Best Recordings….Plus! features 72 complete 15-minute shows that provide over 18 hours of music and revealing Hank conversations never heard in nearly six decades. The deluxe box set increases Hank’s music catalog by 50 percent. The collection is available from Time Life and early pre-orders are being accepted at www.hankwilliamsmothersbest.com or by calling (212) 991-5195. Continue Reading

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Grand Ole Opry members Brad Paisley (l) and Little Jimmy Dickens (r) unveil the refurbished 6-foot circle of wood (taken from the historic Ryman Auditorium when the show moved to the Grand Ole Opry House in 1974) that was damaged in the May 2010 Nashville flood. Photo courtesy of the Grand Ole Opry.

It’s a six-foot piece of circular wood, scuffed and nicked and grooved, but it’s a monumental symbol. Brad Paisley and Little Jimmy Dickens joined four construction workers Wednesday in installing a major piece of oak into the center of the stage at the Grand Ole Opry House.

The moment was captured by a herd of reporters and photographers as Nashville continues its recovery from a devastating flood in early May. At that time, water from the Cumberland River swamped the historic venue, piling 46 inches of liquid on top of the stage. The waters were so significant that mud was hurled onto the ceiling and Opry VP and general manager Pete Fisher literally floated a kayak through the house.

Dirt and construction dust still litter the grounds around the Opry House, but the placement of the circle back onto the stage was a hardy symbol for the restoration of the Opry and its history. The circle was cut from the floor of the Ryman Auditorium and installed at the Opry House when it opened in 1974, providing a physical link between current generations of Opry members and some of the late performers who stood behind the mic stand on that same wood — people like Hank Williams, Patsy Cline, Roy Acuff and Marty Robbins. It was damaged during May’s floods, but not so much that it couldn’t be repaired. Its resilience embodies as well as ever the durability of the Opry and its legend.

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Wynonna Judd photo courtesy of Curb Records.

They belong to families with big country heritage. But Hank Williams III and Wynonna Judd have one more thing in common: They each debuted in the Top 10 this week on the Billboard Country Albums chart.

Hank checked in at No. 4 with his album Rebel Within, which he vows will be the last in a cantankerous relationship with his record company. Wynonna, meanwhile, opened at No. 7 with Love Heals, a project she released through Cracker Barrel.

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Country Music Hall of Fame member Chet Atkins.

When Ferlin Husky and producer Billy Sherrill were inducted into the Country Music Hall of Fame on Sunday, CMA Chairman Steve Moore called Hall membership “the highest honor in country music.” But the rewards don’t stop coming just because you’ve reached the pinnacle.

In fact, several members of the Hall of Fame — including Hank Williams, Willie Nelson and Chet Atkins — continue to be remembered for their impact on American culture.

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Lady Antebellum on stage at the Ryman Auditorium during the Music City Keep On Playin' benefit concert. Photo credit: Photo by Ed Rode/edrode.biz.

The stars came out in a big way, as did a number of companies and the American people when GAC presented Music City Keep On Playin’ — A Benefit For Flood Relief.

Brad Paisley, Keith Urban, Lady Antebellum and Dierks Bentley were among the artists who delivered nearly 20 songs during Sunday’s three-hour live special from Nashville’s Ryman Auditorium. The event raised more than $1.7 million as of midnight CT and counting.

Music City Keep On Playin’ was the first national fundraiser organized to aid victims of a devastating flood that engulfed much of Nashville two weeks ago. In a scant 48 hours, the city took in over 13 inches of rain, more than the Middle Tennessee ground could absorb. The Cumberland River swelled over its banks, damaging some of the city’s landmarks, including the Grand Ole Opry House, LP Field, Bridgestone Arena and the Country Music Hall of Fame.

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George Strait photo by Danny Clinch, courtesy of UMG Nashville.

Memorabilia belonging to country music’s best — from Country Music Hall of Fame member George Strait to multi-platinum act Taylor Swift — is on display in a new exhibit at the Hall of Fame and Museum, where the genre’s vault neatly escaped the ravages of Nashville’s recent flooding.

The Hall’s caretakers held an invitation-only preview Thursday for its updated exhibit, Sing Me Back Home: A Journey Though Country Music, which features a bevy of memorabilia from acts that had their commercial peaks in the last three decades. Behind the glass are such pieces as the boots Reba McEntire wore her first night on the Grand Ole Opry, the Martin D-28 guitar Garth Brooks played on his recording of “The Dance” and Bill Anderson’s hand-written lyrics to “Whiskey Lullaby.”

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Taylor Swift photo courtesy of Big Machine Records.

Taylor Swift is walking through yet another door, becoming the first country songwriter to win the Hal David Starlight Award at the Songwriters Hall of Fame ceremony in June.

Introduced in 2004 to recognize young composers already working at a substantial creative peak, the award’s previous honorees include pop, rock and R&B singer-songwriters Rob Thomas, Alicia Keys, John Mayer, John Legend, John Rzeznik and Jason Mraz. The Starlight Award is named for Songwriters Hall of Fame chief Hal David, who’s a substantial writer himself, known for such titles as Julio Iglesias & Willie Nelson’s “To All The Girls I’ve Loved Before,” Ronnie Milsap’s “It Was Almost Like A Song,” B.J. Thomas’ “Raindrops Keep Falling On My Head” and Dusty Springfield’s “The Look Of Love.”

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Mark Chesnutt photo courtesy of Lofton Creek Records.

When Mark Chesnutt welcomed his first son, he named the boy Waylon in honor of rough-and-tumble Texas musician Waylon Jennings.

Now Mark is honoring Waylon and a slew of like-minded country acts with a new album titled Outlaw, set for release June 22. Produced by Pete Anderson, best known for his work with Dwight Yoakam, Outlaw serves up new versions of songs associated with Billy Joe Shaver, Willie Nelson, Kris Kristofferson and — of course — Waylon.

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